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'Black Swan': When the performer loses herself in the character, an account of her Schizophrenia

Vanshikaa Savla

Darren Aronofsky's ballet psycho-melodrama “Black Swan” is a work of art, often appreciated by professionals for a relatively accurate representation of schizophrenia. It depicts an intense combination of backstage rivalry and single-minded professionalism in pursuit of a successful career. The film’s protagonist, Nina, played by Natalie Portman, is shown to drift slowly from being a focussed, driven dancer to surrender to a loss of sense of reality. This blog post will elucidate how Black Swan is an effective depiction of the onset and depiction of the life of a schizophrenic.
Nina Sayers lives in Manhattan in a small, mildly cramped house with her mother, Erica, who claims to have given up her career to raise her daughter. She wants to live her own dreams of being the lead dancer for ‘Swan Lake’ and pushes her naïve daughter to the extremes in terms of routine, diet and lifestyle to be able to achieve this role. After finally landing the role, the director, Thomas Leroy, is doubtful of her capabilities and believes that while she has mastered technique, she lacks fluidity. Meanwhile, Lily, played by Mila Kunis, arrives and sparks extreme jealousy in Nina for being everything she is not: fluid, easy going, sexual. It is here that the pressure triggers her mental breakdown along with her consistent anxiety that leads to the beginning of her onset of schizophrenia.
Schizophrenia is a chronic disorder which makes the patient unable to differentiate between reality and imagination. It is classified with: positive symptoms such as hallucinations, paranoia and distorted perceptions, negative symptoms that inhibit the ability to express emotions, disordered thinking and impaired cognition that causes problems with concentration (Parekh, 2017). The symptoms usually occur in early adulthood, like it did with Nina. A compilation of the aforementioned events causes her anxiety to escalate. Her compulsive habit of scratching and peeling skin is heightened alongside. Henceforth, she begins to hallucinate too with increasing frequency. Aronofsky has manipulated well with his setting in Manhattan. The dark interiors and shady lanes of the city illustrate the surging claustrophobia and anxiety Nina is experiencing.
Evidence suggests that certain environmental factors, such as a viral infection, poor social interactions, or highly stressful situations, may trigger schizophrenia in people who have inherited a tendency to develop the disorder (Villareal, 2010). The stressor in her life was the pressure of performance, to manage to hold onto her lead role in the routine while facing severe competition from her rival, Lily. Some subtle signs such as troubled relationships may be present even before the symptoms emerge which can be observed in her lack of friends and her relationship with her mother. Erica is excessively controlling, be it her room arrangement or her diet or how she bides her time and has channelled her rage and disappointment with her own self into coaching her daughter. As Nina delves deeper into her role with each practice session, she begins to see the ‘black swan’ alternative of herself everywhere. The role requires her to shed her virginal, sweet girl persona and embrace her darker side. In the midst of this transformation, Nina loses the difference between the real and unreal as is the case with schizophrenics.

Unfortunately, the movie ends with Nina surrendering to her psychosis after significant amount of suffering. She becomes convinced that her reflection in the mirror continues to stare at her even after she has turned away. She even conjures a love scene between herself and Lily which probably materialised because Lily seems to have all the qualities she wishes to imbibe in her new character on stage. Therefore, the climax leaves the viewers with an intense performance but a lost Nina. Interestingly, the film took “liberties with a host of anxiety disorders: anorexia, bulimia, cutting and obsessive-compulsive disorder (OCD), most of which would not all appear together according to some psychiatrists” (James, 2018). It is speculated that psychosis appears to be disorders where one loses sense of reality whereas obsessive disorders express one to be too in touch with reality and consequently, do not usually occur together.

Black Swan characterises a talented woman struggling with her grip on reality as a result of exorbitant pressure. Just when Nina’s professional career seemed to be reaching its pinnacle, it ended with her at her lowest, forfeited to her schizophrenia. Similar to the case of Nina and her artistic breakthrough fused with a nervous breakdown, it has been witnessed in multiple successful individuals who have worked through their struggles of the same disorder. The famous John Nash developed ground breaking theories while he underwent auditory and visual hallucinations consistently. Fortunately, treatment can help those suffering from schizophrenia and it has been observed that large numbers of people have managed to “lead highly productive and rewarding lifestyles” post therapy (Parekh, 2017).

References:
1.     James, Susan Donaldson. ‘Black Swan’: Psychiatrists Diagnose Ballerina’s Descent. Abc News. December 20, 2010.
2.     Parekh, Ranna. What is Schizophrenia? American Psychiatric Association. July, 2017.
3.     Villareal, Christina. Black Swan- a cinematic portrayal of schizophrenia? December 6, 2010.

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