Skip to main content

Manto’s Toba Tek Singh: The ‘insanity’ in the Partition experience

Vandita Bajaj


The trauma of the Partition of India in 1947 is part of the lived experience of our grandparents’ generation, which makes it so much more personal than any other historical event which we read about in textbooks. In the midst of political and ideological clashes, the ones affected most by the events, immediately before and after, the Partition were the ordinary people. People who had to abandon their homes, flee to save their lives, leave everything behind and start afresh. While there is a vast body of literature—both fiction and non-fiction, although the lines often blur— a story that stands out is Sadat Hassan Manto’s Toba Tek Singh. The story is an interesting starting point to explore the way the mentally ill are reduced to “objects” to be divided equally between the newly formed nations, the all-pervasive “madness” of the events and the horrific traumas that shape collective memory.

According to S. Haque Nizame and Nishant Goyal’s (2010) findings, the first documented opening of mental asylums in India is after the establishment of British colonial rule. Initially, they primarily catered to the Europeans who were a long way from home and might have found it difficult to cope with the unfamiliarity of a foreign land. Up until the Revolt of 1857, Indians were not given proper access to institutionalized care for mental illnesses. This means a lot of them were at the mercy of self-styled healers. The deeply patriarchal nature of society at the time must have also meant that there were gross differences in the help men and women received. While Nizame and Goyal (2010) chronologically trace the coming up of various mental institutions, the advancement of therapies in India and the beginning of Psychological Medicine in India, the paper doesn’t touch upon the quality of care which was available or statistics regarding the demographic of people who had access to psychiatric healthcare. However, it is in one such “lunatic” asylum that makes for the spatial setting of Manto’s narrative.

In Manto’s story, the protagonist is Bashan Singh, a Sikh man who owned land in the district of Toba Tek Singh. According to the description, he had an unkempt appearance, didn’t sleep soundly, was unable to recognize his daughter when she came to visit him, has disordered speech; but other than that, he was harmless and had never been involved in a fight over his 15-year stay in the asylum. Problems start when the news of the Partition reached the inhabitants of the asylum. It seems as though the asylum resembles the chaos and confusion of the outside world on a microscopic level. No one knew what was happening and where they were. All Bashan Singh is concerned about is where Toba Tek Singh is, India or Pakistan, but alas no one can tell him. The sheer rate at which people had to process change is nearly impossible to grasp. Even for the protagonist, it all gets too much; he refuses to cross over to the other side for he only wants to go to Toba Tek Singh but no one can tell him where it is.

Sanjeev Jain and Alok Sarin, two leading psychiatrists, found that the story of Toba Tek Singh is not all that fictitious. During the Partition, mental asylums and psychiatric institutions established during British rule were to facilitate the transfer of patients along religious lines. While Manto's portrayal conveys that inhabitants of the asylum had no say in their transfer, neither did other people. Personally, having seen first-hand, the way people in their late old-age, recount the chilling events of the past with extreme detail is fascinating as much as it is disturbing. In their late eighties and nineties when it is common for issues with memory, if not dementia, to set in, hearing people recount the horrors that they saw and have flashbacks of their experiences is in equal parts terrifying and fascinating. My grandfather suffered dementia in his old age and in the last few years of his life, he recalled details of his life in Pakistan, called out names of people he knew from there and had tears in his eyes each time he recalled the journey he took to come to India. My grandmother's sister, in her late nineties, has flashbacks where she fears that members from the Muslim community will attack her and her family. The trauma of crossing over to the other side was suppressed by them, and I am sure that is the case with most people. But these experiences rarely escape the subconscious of a person, especially a child. The magnitude of loss they experienced and the sudden pace at which the events unfolded only added to the "insanity" of the entire episode.

I wonder if people who go through such events, Partition survivors from the past and even the Syrian refugees in the present, ever feel secure? They grow up in hostile conditions that lack any semblance of stability. And while they are eager to rebuild their lives they have seen what it is like to lose it all overnight. The psychological strain that they undergo isn't ever addressed properly, the focus is always to give them material and medical aid but what about their psychological well-being? Their return to normalcy is rushed and only adds up to the tumult that underpins their lives. Maybe its time we think about addressing the "insanity" of it all...

References:-

https://www.wordswithoutborders.org/article/toba-tek-singh

Jain, S., & Sarin, A. (2018). The Psychological Impact of the Partition of India (Kindle Edition ed.). Sage Publications.

Nizamie HS, Goyal N. History of psychiatry in India. Indian J Psychiatry 2010;52, Suppl S3:7-12




Comments

Popular posts from this blog

Analysing “Anniyan”: Dissociative Identity Disorder meets Personality Disorders

Pranaya Prakash In the movie “Anniyan” (Shankar, 2005), the protagonist Ramanujam Iyengar, also known as Ambi, is the host of his alters: Remo and Anniyan. While the focus of the movie is only on Dissociative Identity Disorder (DID), also known as Multiple Personality Disorder (MPD), the host, Ambi, and the alter, Anniyan, show symptoms of Obsessive-Compulsive Personality Disorder (OCPD) and Antisocial Personality Disorder (ASPD), respectively. In this blog post, I attempt to critically analyse the portrayal of DID and the possibility of the protagonist having comorbid Personality Disorders. While it is highly unlikely for individuals with DID to have comorbidities with Personality Disorders ( Antisocial Personality Disorder ), especially with OCPD and ASPD (Fink, 1991), it is interesting to think of the possibility and analyse the developmental trajectory of these individuals.  The movie starts with the character development of Ambi, a lawyer who is meticulous and very particular ...

Hardin's trauma

“After”, is a 2019 teen romantic drama directed by jenny gage that revolves around the love of  Tessa, an inexperienced teenage girl, with Hardin, a mysterious ‘bad boy’ . Hardin, the main male character, never had a secure relationship with his father. When Hardin was young, his father used to be an alcoholic with a lot of debt. When he was just eight years old, intruders broke into his home looking for his father for money, however, there was only Hardin and his mother. The intruders forced themselves on Hardin’s mother, and Hardin, who was sleeping then, came downstairs to see what was wrong. To Hardin’s shock, his mother was being raped by three men, one by one. Hardin’s mother told him to leave, however, one man forced him to watch everything.  I would assume that Hardin has PTSD as a result of this incident, and in this paper I will try to prove it. Symptoms of PTSD and scenes that prove Hardin had it: The person subsequently re-experiences the event through both intrusi...

Is Patrick Jane a psychopath?

Under the Diagnostic and Statistical Manual of Mental Disorders (DSM), Psychopathy was never recognized, until the revised DSM-5 categorized it under Anti-Social Personality Disorder. “He will choose you, disarm you with his words, and control you with his presence” (Hare)  Psychopaths can replicate the behavior which the person they are interacting with thinks they want from them, without feeling a thing, which contributes greatly to their ability to manipulate. Psychopaths charm and lie their way seamlessly to the top, and while they lack empathy, they are well-liked because they know what to say and when to say it. Psychopaths occupy most of the positions of power in our society and corporations and thus often end up being glorified. This glorification of psychopaths is most evident in the portrayal of psychopathy in TV shows. Some of the most notable characters which the screen has ever seen, like Marlo Stanfield from ‘The Wire’, James Moriarty from ‘Sherlock’, Hanni...